TOP カテ一覧 スレ一覧 100～終まで 2ch元 削除依頼
浅香光代
世界的経済危機の今、現代音楽がなすべき事は
現代音楽としてのAphex twin
THE 虎舞竜のロードってめっちゃあったんだな
おまいら現代音楽以外は何聴いてるんですか？
YOSHIKI…ロックとクラを融合させた現代音楽家
水葬の言う現代音楽って邦人ばかりで底が浅いね
能年玲奈ちゃん応援スレッド
カーゲル
【jMax,OpenMusic】LinuxでIRCAMer【PCでMac同等】
赤西君を応援するスレ★亀婆出禁
- 1 ：2018/07/03 ～ 最終レス ：2018/07/07
- 亀婆が発狂して悉くスレ潰すから再度立てました！
- 2 ：
- 板違いらしいので誘導しておきますね。
世界の赤西 ◆Jin Akanishi◆
https://lavender.2ch.sc/test/read.cgi/mjsaloon/1379529009/
- 3 ：
- ↑亀婆が全赤西スレ徘徊して発狂しては潰してるよ
怖い((( ；ﾟДﾟ)))
- 4 ：
- 裸少は赤西さんメインで面白いよね
テレ朝のスタッフさんからめっさ押されてたのが分かりやすぅ
- 5 ：
- ↓純邦楽板や現代音楽板に見られる赤西スレ乱立およびスレが潰されるまでの一連はアンチの自演という説が提唱されました。
387 NO MUSIC NO NAME 2018/07/02(月) 18:13:28.44 ID:RDQ9fEq3
ID変えては赤西スレ乱立して潰す自演が滑稽で大草原
https://lavender.2ch.sc/test/read.cgi/musicjm/1323603557/387-
- 6 ：
- どもー>>1でーす
スレ乱立も埋め立ても自演でしたー
どうしてバレちゃったのかなー(笑)
- 7 ：
- まー自分のスレなので好きにやっちゃいまーす
- 8 ：
- 赤西仁君を応援するスレ★亀婆出入り禁止
https://lavender.2ch.sc/test/read.cgi/musicjm/1529990015/
- 9 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 10 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 11 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 12 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 13 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 14 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 15 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 16 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 17 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 18 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 19 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 20 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 21 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 22 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 23 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 24 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 25 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 26 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 27 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 28 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 29 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 30 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 31 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 32 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 33 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 34 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 35 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 36 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 37 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 38 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 39 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 40 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 41 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 42 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 43 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 44 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 45 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 46 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 47 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 48 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 49 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 50 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 51 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 52 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 53 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 54 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 55 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 56 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 57 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 58 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 59 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 60 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 61 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 62 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 63 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 64 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 65 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 66 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 67 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 68 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 69 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 70 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 71 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 72 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 73 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 74 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 75 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 76 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 77 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 78 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 79 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 80 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 81 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 82 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 83 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 84 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 85 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 86 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 87 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 88 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 89 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 90 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 91 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 92 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 93 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 94 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 95 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 96 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 97 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 98 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
- 99 ：
- (Friday) Tamae 20:26 Tokioka on the ID:uraCrKnu 38 2007 January 06,
year.
> M.F .
Remark..only..plug..Mattick..deceive..hate..thing..agree..especially..opinion..
sincere..answer..exaggerated..sincerely..thank.Sarcastically though it is great if
it is possible to hold … ..no receipt..
M.F ..still.. at the same time . It was taught that no big hurdle, and reflected on the
problem in the receipt and the interpretation model rather than Boulez. It especially
points out concerning "Deliberate examination of the fact", and it has a pain in the ear
truly. As for me, the musicology related to a fan of 'Useless cantabile', a surface fan of
Emanuel Paryu and Keras, and Boulez is unbridgeable gulf, and if it is not possible to
find an answer to a question there, thinks that the doubt of this 'Uselessness' = banal
classic fan and BPO Maniarevel cannot be at least opposite straight with Domesticcrevel,
too so why terrifically though is a painful topic putting only one in the ear.
(The situation thinks that it doesn't change as long as this 'Uselessness' even is
Revelapped to Celibidache and Arnoncul. )
… There is no objection at all if said, "Only it is a self-responsibility" of course.
Of course, saying, "Do not become an answer" gets an important suggestion for modesty.
Live..electronics..agreement..hardly..so far..viewpoint..explanation..situation..
continue..only..rhetoric..explanation..protest..rather..spectrum..easy..sect..
generation..turn.It will be able to be understood that Penser la musique aujourd 'hui
etc. are very limit selection = Tacra in the respect to some degree and descends.
I was going to do sooner or later, and to receive the question "When does securable
become at time that Boulez makes it (Enlightenment of the lecture etc. … This word is
appropriate or apart from) a character?" in the sentiment mixing as a very existing
problem. Thank you.
Boulez..Japan..Boulez..music..speech..situation..have..dissatisfied..chiefly..at
least..in general..wide..circulate..one..for..a little..pedantically..level..
discussion..a lot..score..substantial..content..depress..one..hardly..provide..
thing..understand.
Certainly, a theoretical description is hardly seen in Boulez's writing since a
certain time. This is personally one of the big dissatisfaction though three works
that use the live electronics cannot buy even the score. Peel..after this..say..
almost all..for instance..include.
However, if the memory is correct (Though it is not because of looking at me
and having heard it), Boulez thinks that it had gone occasionally in the
lecture concerning making by oneself since the '70 age. When will obtaining
time become unnecessary (Except whether to have a mind to do) though he makes
it a character?
On the other hand..nowadays..Japan..Boulez..relate..remark..quality..low..one..hold..
problem..fact..deliberate..examination..lack..score..analysis..know..level..Japanese..
reference..Boulez..writing..material..hit..thing..originate..think..writer..
responsibility..think.
I feel either by finding an appropriate explanation for general even of the side
that can talk when correlating with other arts about the music of the 20th century
including Boulez or should talk the situation nowadays that should be supplemented
for myself because it is rare (He is type that avoids an immediate reference, and
because understanding is not easy alone though there is a Mr. word that Boulez dusts
of course) is indescribably inconvenient.
- 100 ：
- Q:作品の題名のことで、まるでグレゴリオ聖歌か何かを思わせるような題名を数多く採用されているのには
ご自身の音楽の中に何かそういった宗教的な内容を含めようとされてのことなのでしょうか。
A:いえ、そういうわけではないのです。西洋クラシックの音楽には典型的なタイトルがあって
それぞれある意味を内包したものです。すなわち交響曲とか協奏曲などがそれです。
私も若いときにはソナチネやソナタなどというタイトルを自作に用いていました。
しかし、ある時期からそうした決まりきった意味を内包するタイトルと私の作風が合致しないという風に思い始めました。
たとえば主題を展開していくような音楽ではなく響きの構造を表した音楽を書いたときにはそのタイトルがソナタというのでは意図が十分に伝わらないというようなことです。
レポンとは応対するという意味ですが、そのタイトルがこの作品に私が込めた意味を内包しているということはもちろん、その意味をそれとして限定的なものにしない、
ある程度自由な解釈のできる言葉だということでと、まさしくぴったりの題名だと思っています。
100～のスレッドの続きを読む
Wikipedia（ウィキペディア）＠現代音楽板 第2番
聴くに耐えないほど酷い曲
小田和正
調性回帰ゆうとるが、じっさい成功例はあるのか？
加藤茶総合 2
愛は勝つ
テスト
無能坂本龍一音楽以外の事に首突っ込むの大好き
【childisc】 竹村延和 【ｾﾘｰﾐﾆﾏﾙ】
松任谷由実さんの歌
--------------------
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